“Explores how industry has manipulated our most deep-seated survival instincts.”–David Perlmutter, MD, Author, #1 New York Times bestseller, Grain Brain and Brain Maker
The New York Times-bestselling author of Fat Chance reveals the corporate scheme to sell pleasure, driving the international epidemic of addiction, depression, and chronic disease.
While researching the toxic and addictive properties of sugar for his New York Times bestseller Fat Chance, Robert Lustig made an alarming discovery–our pursuit of happiness is being subverted by a culture of addiction and depression from which we may never recover.
Dopamine is the “reward” neurotransmitter that tells our brains we want more; yet every substance or behavior that releases dopamine in the extreme leads to addiction. Serotonin is the “contentment” neurotransmitter that tells our brains we don’t need any more; yet its deficiency leads to depression. Ideally, both are in optimal supply. Yet dopamine evolved to overwhelm serotonin–because our ancestors were more likely to survive if they were constantly motivated–with the result that constant desire can chemically destroy our ability to feel happiness, while sending us down the slippery slope to addiction. In the last forty years, government legislation and subsidies have promoted ever-available temptation (sugar, drugs, social media, porn) combined with constant stress (work, home, money, Internet), with the end result of an unprecedented epidemic of addiction, anxiety, depression, and chronic disease. And with the advent of neuromarketing, corporate America has successfully imprisoned us in an endless loop of desire and consumption from which there is no obvious escape.
With his customary wit and incisiveness, Lustig not only reveals the science that drives these states of mind, he points his finger directly at the corporations that helped create this mess, and the government actors who facilitated it, and he offers solutions we can all use in the pursuit of happiness, even in the face of overwhelming opposition. Always fearless and provocative, Lustig marshals a call to action, with seminal implications for our health, our well-being, and our culture.
An upcoming book A mysterious lab. A sinister scientist. A secret history. If you think you know the truth behind Eleven’s mother, prepare to have your mind turned Upside Down in this thrilling prequel to the hit show Stranger Things.
It’s the summer of 1969, and the shock of conflict reverberates through the youth of America, both at home and abroad. As a student at a quiet college campus in the heartland of Indiana, Terry Ives couldn’t be further from the front lines of Vietnam or the incendiary protests in Washington.
But the world is changing, and Terry isn’t content to watch from the sidelines. When word gets around about an important government experiment in the small town of Hawkins, she signs on as a test subject for the project, codenamed MKUltra. Unmarked vans, a remote lab deep in the woods, mind-altering substances administered by tightlipped researchers . . . and a mystery the young and restless Terry is determined to uncover.
But behind the walls of Hawkins National Laboratory—and the piercing gaze of its director, Dr. Martin Brenner—lurks a conspiracy greater than she could have ever imagined. To face it, she’ll need the help of her fellow test subjects, including one so mysterious the world doesn’t know she exists—a young girl with unexplainable, superhuman powers and a number instead of a name: 008.
Amid the rising tensions of the new decade, Terry Ives and Martin Brenner have begun a different kind of war—one where the human mind is the battlefield.
“The first generation of “Digital Natives” – children who were born into and raised in the digital world – are coming of age, and soon our world will be reshaped in their image. Our economy, our politics, our culture, and even the structure of our family life will be forever transformed.” “Based on extensive original research, including interviews with Digital Natives around the world, Born Digital explores a broad range of issues, from the highly philosophical to the purely practical: What does identity mean for young people who have dozens of online profiles and avatars? Should we worry about privacy issues – or is privacy even a relevant concern for Digital Natives? How does the concept of safety translate into an increasingly virtual world? Are online games addictive, and how do we need to worry about violent video games? What is the Internet’s impact on creativity and learning? What lies ahead – socially, professionally, and psychologically – for this generation?” A smart, practical guide to a brave new world and its complex inhabitants, Born Digital will be essential reading for parents, teachers, and the myriad of confused adults who want to understand the digital present – and shape the digital future.
New approaches for crafting effective sites. This book is a tutorial and exposition of the principles of Web site design. It aids users in building web sites that stand out from the noise of the web and bring them to the content in an effective and efficient way. This four-color book gives substantial critiques of existing Web site designs.
For several years, Andrew Marantz, a New Yorker staff writer, has been embedded in two worlds. The first is the world of social-media entrepreneurs, who, acting out of naïvete and reckless ambition, upended all traditional means of receiving and transmitting information. The second is the world of the people he calls “the gate crashers”—the conspiracists, white supremacists, and nihilist trolls who have become experts at using social media to advance their corrosive agenda. Antisocial ranges broadly—from the first mass-printed books to the trending hashtags of the present; from secret gatherings of neo-Fascists to the White House press briefing room—and traces how the unthinkable becomes thinkable, and then how it becomes reality. Combining the keen narrative detail of Bill Buford’s Among the Thugs and the sweep of George Packer’s The Unwinding, Antisocial reveals how the boundaries between technology, media, and politics have been erased, resulting in a deeply broken informational landscape—the landscape in which we all now live. Marantz shows how alienated young people are led down the rabbit hole of online radicalization, and how fringe ideas spread—from anonymous corners of social media to cable TV to the President’s Twitter feed. Marantz also sits with the creators of social media as they start to reckon with the forces they’ve unleashed. Will they be able to solve the communication crisis they helped bring about, or are their interventions too little too late?
Her story is a phenomenon. Her life is a disaster.
In the real world, Eliza Mirk is shy, weird, and friendless. Online, she’s LadyConstellation, the anonymous creator of the wildly popular webcomic Monstrous Sea. Eliza can’t imagine enjoying the real world as much as she loves the online one, and she has no desire to try.
Then Wallace Warland, Monstrous Sea’s biggest fanfiction writer, transfers to her school. Wallace thinks Eliza is just another fan, and as he draws her out of her shell, she begins to wonder if a life offline might be worthwhile.
But when Eliza’s secret is accidentally shared with the world, everything she’s built—her story, her relationship with Wallace, and even her sanity—begins to fall apart.
It’s 1996, and Josh and Emma have been neighbors their whole lives. They’ve been best friends almost as long—at least, up until last November, when Josh did something that changed everything. Things have been weird between them ever since, but when Josh’s family gets a free AOL CD in the mail, his mom makes him bring it over so that Emma can install it on her new computer. When they sign on, they’re automatically logged onto their Facebook pages. But Facebook hasn’t been invented yet. And they’re looking at themselves fifteen years in the future.
By refreshing their pages, they learn that making different decisions now will affect the outcome of their lives later. And as they grapple with the ups and downs of what their futures hold, they’re forced to confront what they’re doing right—and wrong—in the present.
Johnny is a courier. He carries other people’s memories, millions of them, downloaded into his brain… Working out of Beijing, he is hired to carry a package to the States. The hundreds of gigabytes stashed in his head are far beyond his capacity, but as long as he gets downloaded quickly they won’t do him any permanent harm…
But headaches are the least of Johnny’s problems. The Americans aren’t the only ones who want the data. The Yakuza are after Johnny too. Not all of him, though. All they need is his cryogenically frozen head…
In Johnny Mnemonic, the science-fiction guru of our age brings his acid-drenched tale of the near future to the screen for the first time. Containing William Gibson’s original short story, his full script and exclusive stills from the film, this classic of the cyberpunk era expresses the unique vision of the author who was the first to see his way into tomorrow…
A funny and practical guide to help you find, build, and keep the relationship of your dreams.
Have you ever looked around and wondered, “Why has everyone found love except me?” You’re not the only one. Great relationships don’t just appear in our lives—they’re the culmination of a series of decisions, including whom to date, how to end it with the wrong person, and when to commit to the right one. But our brains often get in the way. We make poor decisions, which thwart us on our quest to find lasting love.
Drawing from years of research, behavioral scientist turned dating coach Logan Ury reveals the hidden forces that cause those mistakes. But awareness on its own doesn’t lead to results. You have to actually change your behavior. Ury shows you how.
This book focuses on a different decision in each chapter, incorporating insights from behavioral science, original research, and real-life stories. You’ll learn:
- What’s holding you back in dating (and how to break the pattern)
- What really matters in a long-term partner (and what really doesn’t)
- How to overcome the perils of online dating (and make the apps work for you)
- How to meet more people in real life (while doing activities you love)
- How to make dates fun again (so they stop feeling like job interviews)
- Why “the spark” is a myth (but you’ll find love anyway)
This data-driven, step-by-step guide to relationships, complete with hands-on exercises, is designed to transform your life. How to Not Die Alone will help you find, build, and keep the relationship of your dreams.
Sarah Jeong, a journalist trained as a lawyer at Harvard Law School, discusses the problem of “online harassment,” with various accounts of harassment that have made their way into mainstream media, as well as lesser-known ones. The Internet of Garbage considers why and how to recalibrate this ongoing project of garbage-removal from content platforms and social media networks. It’s not as simple as policing offensive material and hitting the delete button online: Jeong tackles precarious issues like free speech, behavior vs. content, doxing and SPAM.
She writes, “Content platforms and social media networks do not have the power to restrain stalkers, end intimate partner violence, eliminate child abuse, or stop street harassment. But they can cultivate better interactions and better discourse, through thoughtful architecture, active moderation and community management.”
So how do we filter content from garbage? Read on.
The Rock says. . . “Know your damn role–and shut your mouth!” But that simple catch-phrase, embraced by the millions ñand the millions–of The Rock’s fans, can’t begin to capture the spirit and larger-than-life personality of the most electrifying man in sports-entertainment.”
In this action-packed, revealing and outrageously funny memoir, World Wrestling Federation Superstar The Rock recounts his life in and out of the ring with unapologetic honesty and inimitable style. From his boyhood days traveling around the world with his father (professional wrestler Rocky Johnson) to his years as a football player at the University of Miami to his meteoric rise through the ranks of the Federation, The Rock Says… chronicles in vivid detail the life story of one of sports-entertainment’s most innovative and best-loved personalities.
The Rock will take fans on a guided tour of big-time professional wrestling, a highly competitive business in which a handful of gifted and lucky performers dominate, and all others dream of a moment in the spotlight. He provides a breathtaking, minute-by-minute account of Wrestle Mania, the Super Bowl of pro wrestling, including an intimate backstage look at rehearsals with his opponent, Stone Cold Steve Austin. And he discusses in heartfelt detail the loss of his friend and co-worker, Owen Hart.
Filled with genuinely touching stories of love and strife, hilarious anecdotes, inside accounts of an industry whose machinations have long been shrouded in secrecy and dozens of previously unpublished photographs from The Rock’s personal collection, The Rock Says… is–as The Rock himself might put it–“the coolest thing since the other side of the pillow if you smell what The Rock is cookin’.”
In his own words, Bret Hart’s honest, perceptive, startling account of his life in and out of the pro wrestling ring.
The sixth-born son of the pro wrestling dynasty founded by Stu Hart and his elegant wife, Helen, Bret Hart is a Canadian icon. As a teenager, he could have been an amateur wrestling Olympic contender, but instead he turned to the family business, climbing into the ring for his dad’s western circuit, Stampede Wrestling. From his early twenties until he retired at 43, Hart kept an audio diary, recording stories of the wrestling life, the relentless travel, the practical jokes, the sex and drugs, and the real rivalries (as opposed to the staged ones). The result is an intimate, no-holds-barred account that will keep readers, not just wrestling fans, riveted.
Hart achieved superstardom in pink tights, and won multiple wrestling belts in multiple territories, for both the WWF (now the WWE) and WCW. But he also paid the price in betrayals (most famously by Vince McMahon, a man he had served loyally); in tragic deaths, including the loss of his brother Owen, who died when a stunt went terribly wrong; and in his own massive stroke, most likely resulting from a concussion he received in the ring, and from which, with the spirit of a true champion, he has battled back.
Widely considered by his peers as one of the business’s best technicians and workers, Hart describes pro wrestling as part dancing, part acting, and part dangerous physical pursuit. He is proud that in all his years in the ring he never seriously hurt a single wrestler, yet did his utmost to deliver to his fans an experience as credible as it was exciting. He also records the incredible toll the business takes on its workhorses: he estimates that twenty or more of the wrestlers he was regularly matched with have died young, weakened by their own coping mechanisms, namely drugs, alcohol, and steroids. That toll included his own brother-in-law, Davey Boy Smith. No one has ever written about wrestling like Bret Hart. No one has ever lived a life like Bret Hart’s.
Remember the first time you saw Michael Jackson dance with zombies in “Thriller”? Diamond Dave karate kick with Van Halen in “Jump”? Tawny Kitaen turning cartwheels on a Jaguar to Whitesnake’s “Here I Go Again”? The Beastie Boys spray beer in “(You Gotta) Fight for Your Right (To Party)”? Axl Rose step off the bus in “Welcome to the Jungle”?
Remember When All You Wanted Was Your MTV?
It was a pretty radical idea-a channel for teenagers, showing nothing but music videos. It was such a radical idea that almost no one thought it would actually succeed, much less become a force in the worlds of music, television, film, fashion, sports, and even politics. But it did work. MTV became more than anyone had ever imagined.
I Want My MTV tells the story of the first decade of MTV, the golden era when MTV’s programming was all videos, all the time, and kids watched religiously to see their favorite bands, learn about new music, and have something to talk about at parties. From its start in 1981 with a small cache of videos by mostly unknown British new wave acts to the launch of the reality-television craze with The Real World in 1992, MTV grew into a tastemaker, a career maker, and a mammoth business.
Featuring interviews with nearly four hundred artists, directors, VJs, and television and music executives, I Want My MTV is a testament to the channel that changed popular culture forever.
From acclaimed tech writer Clive Thompson, a brilliant and immersive anthropological reckoning with the most powerful tribe in the world today, computer programmers – where they come from, how they think, what makes for greatness in their world, and what should give us pause.
You use software nearly every instant you’re awake. And this may sound weirdly obvious, but every single one of those pieces of software was written by a programmer. Programmers are thus among the most quietly influential people on the planet. As we live in a world made of software, they’re the architects. The decisions they make guide our behavior. When they make something newly easy to do, we do a lot more of it. If they make it hard or impossible to do something, we do less of it.
If we want to understand how today’s world works, we ought to understand something about coders. Who exactly are the people that are building today’s world? What makes them tick? What type of personality is drawn to writing software? And perhaps most interestingly — what does it do to them?
One of the first pieces of coding a newbie learns is the program to make the computer say “Hello, world!” Like that piece of code, Clive Thompson’s book is a delightful place to begin to understand this vocation, which is both a profession and a way of life, and which essentially didn’t exist little more than a generation ago, but now is considered just about the only safe bet we can make about what the future holds. Thompson takes us close to some of the great coders of our time, and unpacks the surprising history of the field, beginning with the first great coders, who were women. Ironically, if we’re going to traffic in stereotypes, women are arguably “naturally” better at coding than men, but they were written out of the history, and shoved out of the seats, for reasons that are illuminating. Now programming is indeed, if not a pure brotopia, at least an awfully homogenous community, which attracts people from a very narrow band of backgrounds and personality types. As Thompson learns, the consequences of that are significant – not least being a fetish for disruption at scale that doesn’t leave much time for pondering larger moral issues of collateral damage. At the same time, coding is a marvelous new art form that has improved the world in innumerable ways, and Thompson reckons deeply, as no one before him has, with what great coding in fact looks like, who creates it, and where they come from. To get as close to his subject has he can, he picks up the thread of his own long-abandoned coding practice, and tries his mightiest to up his game, with some surprising results.
More and more, any serious engagement with the world demands an engagement with code and its consequences, and to understand code, we must understand coders. In that regard, Clive Thompson’s Hello, World! is a marvelous and delightful master class.
The story of Chesapeake pirates and patriots begins with a land dispute and ends with the untimely death of an oyster dredger at the hands of the Maryland Oyster Navy. From the golden age of piracy to Confederate privateers and oyster pirates, the maritim.
This is a memoir by Marianne Faithfull, recounting her days in the swinging ’60s. She recalls her love and life with Mick Jagger, how Bob Dylan wooed her, the Rolling Stones courted her and finally, how drugs trapped her into a world where nothing else mattered but the next fix. She also reveals the contradictions of life as a “star”, first as the pop confection she was packaged as, and later as the hard-edged artist who co-authored “Sister Morphine” and shocked the world with “Broken English”.
The wildly popular YouTube personality and author of the New York Times bestseller My Drunk Kitchen is back!
This time, she’s stirring up memories and tales from her past. By combing through the journals that Hannah has kept for much of her life, this collection of narrative essays deliver a fuller picture of her life, her experiences, and the things she’s figured out about family, faith, love, sexuality, self-worth, friendship and fame. Revealing what makes Hannah tick, this sometimes cringe-worthy, poignant collection of stories is sure to deliver plenty of Hannah’s wit and wisdom, and hopefully encourage you to try your hand at practicing reckless optimism.
One day, lonely cubicle dweller and otherwise bored New York City transplant Hannah Hart decided to make a fake cooking show for a friend back home in California. She opened her laptop, pulled out some bread and cheese, and then, as one does, started drinking. The video was called “Butter Yo Sh*t” and online sensation My Drunk Kitchen was born.
My Drunk Kitchen (the book!) includes recipes, stories, color photographs, and tips and tricks to inspire your own adventures in tipsy cooking. Hannah offers cocktail recommendations, culinary advice (like, remember to turn off the oven when you go to bed), and shares never-before-seen recipes such as:
The Hartwich (Knowledge is ingenuity! Learn from the past!) Can Bake (Inventing things is hard! You don’t have to start from scratch!) Latke Shotkes (Plan ahead to avoid a night of dread!) Tiny Sandwiches (Size doesn’t matter! Aim to satisfy.) Saltine Nachos (It’s not about resources! It’s about being resourceful.)
In the end, My Drunk Kitchen may not be your go-to guide for your next dinner party . . . but it will make you laugh and drink . . . I mean think . . . about life.
The moment you check your phone in the morning you are giving away data. Before you’ve even switched off your alarm, a whole host of organisations have been alerted to when you woke up, where you slept, and with whom. As you check the weather, scroll through your ‘suggested friends’ on Facebook, you continually compromise your privacy.
Without your permission, or even your awareness, tech companies are harvesting your information, your location, your likes, your habits, and sharing it amongst themselves. They’re not just selling your data. They’re selling the power to influence you. Even when you’ve explicitly asked them not to. And it’s not just you. It’s all your contacts too.
Digital technology is stealing our personal data and with it our power to make free choices. To reclaim that power and democracy, we must protect our privacy.
What can we do? So much is at stake. Our phones, our TVs, even our washing machines are spies in our own homes. We need new regulation. We need to pressure policy-makers for red lines on the data economy. And we need to stop sharing and to adopt privacy-friendly alternatives to Google, WhatsApp and other online platforms.
Short, terrifying, practical: Privacy is Power highlights the implications of our laid-back attitudes to data, and sets out how we can reclaim control.
One part memoir, one part political platform, the bass player of Nirvana–the most heralded and influential rock band of the past 20 years–tells the story of his own musical and political coming-of-age. From his relationship to Kurt Cobain to his evolution as a political activist, Novoselic’s passion, intelligence and integrity come shining through in this moving and inspirational book.
Though Krist Novoselic will undoubtedly be forever best known as a member of Nirvana, his accomplishments go far beyond that remarkable achievement. Nirvana was a band with a conscience, and as a major label act they regularly played benefits–the first Rock For Choice show, a major concert in support of gay rights, and a legendary gig that raised money for the Balkan Women’s Aid Fund.
In 1995, Novoselic founded JAMPAC (Joint Artists and Music Promotions Political Action Committee), a proactive organization that advocated on behalf of Washington state’s music community. Novoselic’s work with JAMPAC helped Seattle club owners find ways to host all-ages shows and was instrumental in helping to overturn the infamous Teen Dance Ordinance. And sometimes making music and making a statement go hand in hand, as when Novoselic, Soundgarden’s Kim Thayil and drummer Gina Mainwal backed Jello Biafra as the “No W.T.O. Combo” at a show performed during the World Trade Organization conference held in Seattle in 1999.
There have been other musical endeavors since Nirvana, as well as new causes (Novoselic is a strong -supporter of electoral reform, an issue he writes about extensively on his website. The one constant is Novoselic’s desire to continue making progressive contributions to the community–and to keep on making good music.
Goodbye, Guns N’ Roses transports the reader into a mind-altering trip through the colors, scandals, nihilism, and mythology that make Guns N’ Roses so much more than another “hair metal” band. A valentine and a breakup letter to one of rock’s most controversial bands. Goodbye, Guns N’ Roses is a genre-rattling attempt to explain the appeal of America’s most divisive rock band. While it includes uncharted history and the self-lacerating connoisseurship of a Guns N’ Roses fetishist, it is not a recycled chronicle — this book is a deconstruction of myth, one that blends high and low art sketches to examine how Guns N’ Roses impacted popular culture. Unlike those who have penned other treatments of what might be considered a clich d subject, Art Tavana is not writing as a GNR patriot or former employee. His book aims to provide an untethered exploration that machetes through the jungle of propaganda camouflaging GNR’s explosive appeal. After circling the band’s three-decade plundering of American culture, Goodbye, Guns N’ Roses uncovers a postmodern portrait that persuades its viewer to think differently about their symbolic importance. This is not a rock bio but a biography of taste that treats a former “hair metal” band like a decomposing masterpiece. This is the first Guns N’ Roses book written for everyone; from the Sunset Strip to a hyper-digital generation’s connection to “Woke Axl,” it is a pop investigation that dodges no bullets.
A dual-edition full-color book for the millions of fans who have taken The Lord of the Rings to heart through the celebrated film trilogy. Many of the images included in this volume, depicting pivotal scenes and characters, were previously embargoed and have never appeared in book form. The work of Alan Lee and John Howe — the two artists most closely associated with Tolkien’s world — is featured, along with that of many other talented artists and designers. The artists’ own descriptions of the design process used in creating the look of the films both enlighten and enliven this essential book.
In his new book, economist Dean Baker debunks the myth that conservatives favor the market over government intervention. In fact, conservatives rely on a range of “nanny state” policies that ensure the rich get richer while leaving most Americans worse off. It’s time for the rules to change. Sound economic policy should harness the market in ways that produce desirable social outcomes – decent wages, good jobs and affordable health care. Dean Baker is co-director of the Center for Economic and Policy Research.
You don’t need to be a genius, you just need to be yourself. That’s the message from Austin Kleon, a young writer and artist who knows that creativity is everywhere, creativity is for everyone. A manifesto for the digital age, Steal Like an Artist is a guide whose positive message, graphic look and illustrations, exercises, and examples will put readers directly in touch with their artistic side.
Lawrence Lessig’s “Code and Other Laws of Cyberspace” v1 quickly began to define a certain vocabulary for thinking about the regulation of cyberspace. More than any other social space, cyberspace would be controlled or not depending upon the architecture, or “code,” of that space. And that meant regulators, and those seeking to protect cyberspace from at least some forms of regulation, needed to focus not just upon the work of legislators, but also the work of technologists. Code version 2.0 updates the original work. It is not, as Lessig writes in the preface, a “new work.” The aim of the update was to recast the argument in the current context, and to clarify the argument where necessary. While Lessig himself has strong views about preserving important liberties that cyberspace originally protected, this book does not push any particular set of values. Unlike Lessig’s other books, The Future of Ideas, and Free Culture, this book has no particular political agenda. Instead, the objective of Code is to introduce and defend a particular way of understanding regulation, and to describe the trend that we should expect regulation in cyberspace to take. Code v2 is published under the terms of the CC Attribution-ShareAlike license. Money raised from the sale of this book supports the development of free software and documentation.
Who are computer hackers? What is free software? And what does the emergence of a community dedicated to the production of free and open source software–and to hacking as a technical, aesthetic, and moral project–reveal about the values of contemporary liberalism? Exploring the rise and political significance of the free and open source software (F/OSS) movement in the United States and Europe, Coding Freedom details the ethics behind hackers’ devotion to F/OSS, the social codes that guide its production, and the political struggles through which hackers question the scope and direction of copyright and patent law. In telling the story of the F/OSS movement, the book unfolds a broader narrative involving computing, the politics of access, and intellectual property.
E. Gabriella Coleman tracks the ways in which hackers collaborate and examines passionate manifestos, hacker humor, free software project governance, and festive hacker conferences. Looking at the ways that hackers sustain their productive freedom, Coleman shows that these activists, driven by a commitment to their work, reformulate key ideals including free speech, transparency, and meritocracy, and refuse restrictive intellectual protections. Coleman demonstrates how hacking, so often marginalized or misunderstood, sheds light on the continuing relevance of liberalism in online collaboration.
There are two sides to every story. . .
We had cured cancer. We had beaten the common cold. But in doing so we unleashed something horrifying and unstoppable. The infection spread leaving those afflicted with a single uncontrollable impulse: FEED.
Now, twenty years after the Rising, a team of scrappy underdog reporters relentlessly pursue the facts while competing against the brother-and-sister blog superstars, the Masons.
Surrounded by the infected, and facing more insidious forces working in the shadows, they must hit the presidential campaign trail and uncover dangerous truths. Or die trying.
The Georgian “Profanisaurus”.
From the 1790s to the 1820s, numerous editions of the Dictionary of the Vulgar Tongue were published. Looking at the slang and vernacular language of the time, this dictionary pre-dated Roger Mellie’s best-selling Profanisaurus by a good 200 years. Reprinted here, it covers the rude, the crude and the downright vulgar.
Learn how the Georgians and early Victorians would insult each other and find out how some of today’s words and derivations have come about. But most of all, just dip in and see how our ancestors considered and talked about such subjects as sex and the workings of the human body.
Doony, Ryder, Wyatt, Bodhi. The names of Kristin Hersh’s sons are the only ones included in her new memoir, Seeing Sideways. As the book unfolds and her sons’ voices rise from its pages, it becomes clear why: these names tell the story of her life.
This story begins in 1990, when Hersh is the leader of the indie rock group Throwing Muses, touring steadily, and the mother of a young son, Doony. The chapters that follow reveal a woman and mother whose life and career grow and change with each of her sons: the story of a custody battle for Doony is told alongside that of Hersh’s struggles with her record company and the resulting PTSD; the tale of breaking free from her record label stands in counterpoint to her recounting of her pregnancy with Ryder; a period of writer’s block coincides with the development of Wyatt as an artist and the family’s loss of their home; and finally, soon after Bodhi’s arrival, Hersh and her boys face crises from which only strange angels can save them. Punctuated with her own song lyrics, Seeing Sideways is a memoir about a life strange enough to be fiction, but so raw and moving that it can only be real.
Everywhere in America, the forces of digitization, innovation, and personalization are expanding our options and bettering the way we live. Everywhere, that is, except in our politics. There we are held hostage to an eighteenth century system, dominated by two political parties whose ever-more-polarized rhetorical positions mask a mutual interest in maintaining a stranglehold on power.The Declaration of Independents is a compelling and extremely entertaining manifesto on behalf of a system better suited to the future–one structured by the essential libertarian principles of free minds and free markets. Gillespie and Welch profile libertarian innovators, identify the villains propping up the ancien regime, and take aim at do-something government policies that hurt most of those they claim to protect. Their vision will resonate with a wide swath of frustrated citizens and young voters, born after the Cold War’s end, to whom old tribal allegiances, prejudices, and hang-ups about everything from hearing a foreign language on the street to gay marriage to drug use simply do not make sense.