Saint Mick from New York Times #1 bestselling author Mick Foley is a Yuletide tale like no other: part jolly memoir, part whimsical ode to a lifetime love affair with Christmas, part solemn tribute to the power of finding the best part of oneself in the unlikeliest of places. After a lifetime of putting his body on the line to entertain his dozens (and dozens!) of fans, the Hardcore Legend is paying the price – both physically and emotionally.. Unable to resist the roar of the crowd, Mick returned to the ring too often, risking too much, losing belief in the characters that had defined him, and losing sight of his dreams. When the final bell on Mick’s career finally tolled – not with glory inside the ring, but with solemn words in a neurologist’s office, the future is far from merry and bright. Until hope and redemption come to him in the form of a beloved figure from his past. Given the chance to become Santa Claus – not dress up, not pretend, but become – Mick Foley rediscovers the joy of performing, finds a character he can believe in, and even finds a way to put his body on the line in commitment to his new craft, enduring an excruciating six hour bleaching so that the beard on his chin can be as white as the snow. Mick charts a course from the heartwarming to the surreal, detailing the drastic measures he takes to keep the magic age of belief alive for his younger children, as well as taking us inside the secret world of the Santa subculture – where -real-bearded Santas- and -traditional- or -mystical- Santas are quite often at odds as to who makes the better red suit ambassadors. Along the way, Mick worries that he will be excommunicated from the Santa world for everything from his colorful WWE background, to his Santa character being run over by a motor vehicle on Christmas Eve on WWE television, to his intentional breaking of -The Santa Claus Oath- by promising toys to families in need, to his participation in a controversial Santa Claus documentary. With Saint Mick , Mick Foley sails into the Holiday season with the earnestness of George Bailey discovering how wonderful life can be, the dog-eared determination of Ralphie on his Red Ryder quest, and with the speed and precision of a Buddy Elf snowball barrage. And with the help of an unlikely elf — 8 time Grammy award winner Norah Jones — Mick learns valuable lessons about the real power and responsibility of the red suit, and that success as Santa comes not by appearing in front of millions on TV, but by touching hearts and creating -Santa moments- for the young and the young at heart – one memory at a time.

A world divided.
A queendom without an heir.
An ancient enemy awakens.


The House of Berethnet has ruled Inys for a thousand years. Still unwed, Queen Sabran the Ninth must conceive a daughter to protect her realm from destruction—but assassins are getting closer to her door.

Ead Duryan is an outsider at court. Though she has risen to the position of lady-in-waiting, she is loyal to a hidden society of mages. Ead keeps a watchful eye on Sabran, secretly protecting her with forbidden magic.

Across the dark sea, Tané has trained all her life to be a dragonrider, but is forced to make a choice that could see her life unravel.

Meanwhile, the divided East and West refuse to parley, and forces of chaos are rising from their sleep.

As part of EFF’s 25th Anniversary celebrations, we are releasing “Pwning Tomorrow: Stories from the Electronic Frontier,” an anthology of speculative fiction from more than 20 authors, including Bruce Sterling, Lauren Beukes, Cory Doctorow, and Charlie Jane Anders. To get the ebook, you can make an optional contribution to support EFF’s work, or you can download it at no cost. We’re releasing the ebook under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 International license, which permits sharing among users.

We meet many speculative fiction fans in the course of our work to protect digital civil liberties, and the 21 stories in this collection inspire a sharper sense of the futures we may experience and the role of rights and freedoms there. The authors explore the wonders and perils of technology over the next 25 years and beyond, imagining the consequences of everything from abusive intellectual property lawsuits to out-of-control viral marketing, from over-protective intelligent fridges to violently loyal cyber-pets.

It’s also important to know that writers have long been at the forefront of the fight against mass surveillance in the real world. Paranormal romance author Carolyn Jewel is the lead plaintiff in Jewel v. NSA, EFF’s long-running lawsuit against warrantless collection of electronic communications. Her novella, “Free Fall,” rounds out the collection.

The full list of contributors includes:

Charlie Jane Anders
Madeline Ashby
Paolo Bacigalupi
Lauren Beukes
David Brin
Pat Cadigan
Cory Doctorow
Paul Ford
Neil Gaiman “Changes” from Smoke & Mirrors
SL Grey
Eileen Gunn
Charles Human
Kameron Hurley
Carolyn Jewel
James Patrick Kelly
Ramez Naam
Annalee Newitz
Hannu Rajaniemi
Rudy Rucker
Lewis Shiner
Bruce Sterling
Charles Yu

We’re very grateful to the authors for contributing stories to this collection, Tessellate Media for tireless formatting and device testing, O’Reilly Media and Troy Mott of Backstop Media for epublishing assistance, and the many others who helped bring this project to fruition.

Set in a Latinx-inspired world, a face-changing thief and a risk-taking prince must team up to defeat a powerful evil they accidentally unleashed.

To Finn Voy, magic is two things: a knife to hold under the chin of anyone who crosses her…and a disguise she shrugs on as easily as others pull on cloaks.

As a talented faceshifter, it’s been years since Finn has seen her own face, and that’s exactly how she likes it. But when Finn gets caught by a powerful mobster, she’s forced into an impossible mission: steal a legendary treasure from Castallan’s royal palace or be stripped of her magic forever.

After the murder of his older brother, Prince Alfehr is first in line for the Castallan throne. But Alfie can’t help but feel that he will never live up to his brother’s legacy. Riddled with grief, Alfie is obsessed with finding a way to bring his brother back, even if it means dabbling in forbidden magic.

But when Finn and Alfie’s fates collide, they accidentally unlock a terrible, ancient power—which, if not contained, will devour the world. And with Castallan’s fate in their hands, Alfie and Finn must race to vanquish what they have unleashed, even if it means facing the deepest darkness in their pasts.

“All the greats are here: from Marvin Gaye’s inspirational 1971 What’s Going On – a response to his brother’s return from Vietnam – to David Bowie’s extraordinary concept album The Rise And Fall Of Ziggy Stardust … Explore musical history, from the Beach Boys’ pop milestone Pet Sounds to Nirvana’s catapulting of grunge into the popular consciousness with Nevermind. As well as the acknowledged “classics,” there are many unexpected treats, such as Einsturzende Neubauten’s power tool-enhanced soundscapes, and Aphex Twin’s sonic troublemaking. 1001 Albums You Must Hear Before You Die pays homage to the many forces at work in the musical world and a multitude of genres – a vast quota of rock ‘n’ roll and jazz, funk and punk, disco and soul, hip hop, experimental and world music, and a wide cross section of dance music.” Detailed descriptions of each album are accompanied by insights and trivia. Did you know, for example, that the Velvet Underground And Nico album is credited with inspiring artists from Bowie to Joy Division, and from R.E.M. to The Strokes? Relive the aftermath of Bob Dylan’s fateful appearance with an electric guitar at the Newport Folk Festival with his darkly visionary Highway 61 Revisited, recorded in 1965. Skip forward to the retro-guitar of The Stone Roses’ eponymous album, taking in the best of the rest before, and since. From cult and obscure, to popular and mainstream, 1001 Albums You Must Hear Before You Die fully encompasses the universal culture of music.

Written in dead letters… and covered in blood!

Demonic possession! Haunted condominiums! Murderous babies! Man-eating moths! No plot was too ludicrous, no cover art too appalling, no evil too despicable for the Paperbacks From Hell.

Where did they come from? Where did they go? Horror author Grady Hendrix risks his soul and sanity (not to mention yours) to relate the true, untold story of the Paperbacks From Hell.

Shocking story summaries! Incredible cover art! And true tales of writers, artists, and publishers who violated every literary law but one: never be boring. All this awaits, if you dare experience the Paperbacks From Hell.

Michael J. Fox abandoned high school to pursue an acting career, but went on to receive honorary degrees from several universities and garner the highest accolades for his acting, as well as for his writing. In his new book, he inspires and motivates graduates to recognize opportunities, maximize their abilities, and roll with the punches–all with his trademark optimism, warmth, and humor. In A Funny Thing Happened on the Way to the Future, Michael draws on his own life experiences to make a case that real learning happens when “life goes skidding sideways.” He writes of coming to Los Angeles from Canada at age eighteen and attempting to make his way as an actor. Fox offers up a comically skewed take on how, in his own way, he fulfilled the requirements of a college syllabus. He learned Economics as a starving artist; an unexpected turn as a neophyte activist schooled him in Political Science; and his approach to Comparative Literature involved stacking books up against their movie versions. Replete with personal stories and hilarious anecdotes, Michael J. Fox’s new book is the perfect gift for graduates.

There are many words to describe Michael J. Fox: Actor. Husband. Father. Activist. But readers of Always Looking Up will soon add another to the list: Optimist. Michael writes about the hard-won perspective that helped him see challenges as opportunities. Instead of building walls around himself, he developed a personal policy of engagement and discovery: an emotional, psychological, intellectual, and spiritual outlook that has served him throughout his struggle with Parkinson’s disease. Michael’s exit from a very demanding, very public arena offered him the time-and the inspiration-to open up new doors leading to unexpected places. One door even led him to the center of his own family, the greatest destination of all. The last ten years, which is really the stuff of this book, began with such a loss: my retirement from Spin City. I found myself struggling with a strange new dynamic: the shifting of public and private personas. I had been Mike the actor, then Mike the actor with PD. Now was I just Mike with PD Parkinson’s had consumed my career and, in a sense, had become my career. But where did all of this leave Me? I had to build a new life when I was already pretty happy with the old one. .

Always Looking Up is a memoir of this last decade, told through the critical themes of Michael’s life: work, politics, faith, and family. The book is a journey of self-discovery and reinvention, and a testament to the consolations that protect him from the ravages of Parkinson’s.

With the humor and wit that captivated fans of his first book, Lucky Man, Michael describes how he became a happier, more satisfied person by recognizing the gifts of everyday life.

In this dizzyingly rich novel of ideas, Mann uses a sanatorium in the Swiss Alps, a community devoted exclusively to sickness, as a microcosm for Europe, which in the years before 1914 was already exhibiting the first symptoms of its own terminal irrationality. The Magic Mountain is a monumental work of erudition and irony, sexual tension and intellectual ferment, a book that pulses with life in the midst of death.

Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood’s Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investing an ivory procurement agent, Kurtz, who is employed by the government. Preceded by his reputation as a brilliant emissary of progress, Kurtz has now established himself as a god among the natives in “one of the darkest places on earth.” Marlow suspects something else of Kurtz: he has gone mad.

A reflection on corruptive European colonialism and a journey into the nightmare psyche of one of the corrupted, Heart of Darkness is considered one of the most influential works ever written.

In this controversial and provocative book, Mary Anne Franks examines the thin line between constitutional fidelity and constitutional fundamentalism. The Cult of the Constitution reveals how deep fundamentalist strains in both conservative and liberal American thought keep the Constitution in the service of white male supremacy.

Constitutional fundamentalists read the Constitution selectively and self-servingly. Fundamentalist interpretations of the Constitution elevate certain constitutional rights above all others, benefit the most powerful members of society, and undermine the integrity of the document as a whole. The conservative fetish for the Second Amendment (enforced by groups such as the NRA) provides an obvious example of constitutional fundamentalism; the liberal fetish for the First Amendment (enforced by groups such as the ACLU) is less obvious but no less influential. Economic and civil libertarianism have increasingly merged to produce a deregulatory, “free-market” approach to constitutional rights that achieves fullest expression in the idealization of the Internet. The worship of guns, speech, and the Internet in the name of the Constitution has blurred the boundaries between conduct and speech and between veneration and violence.

But the Constitution itself contains the antidote to fundamentalism. The Cult of the Constitution lays bare the dark, antidemocratic consequences of constitutional fundamentalism and urges readers to take the Constitution seriously, not selectively.

Sonic Youth spent most of the 80s sleeping on floors, driving used vans, touring across a neurotic America and the globe beyond. Before they became part of the national bloodstream, they created an underground swell, encouraging adventurous listeners to jack into their matrix of pantonality, feedback, and chiming scree. All the while, Lee Ranaldo was drinking in the landscape, the clubs, the people; recording a journal of this wild ride.

Nearly 800 proposals have been made to amend or abolish the Electoral College, and its divisiveness raises many questions. What role do electors play in American democracy? How should they vote? Should the Electoral College exist at all? Much confusion surrounds this institution, in large part because of how the original Electoral College varies from its contemporary counterpart, the evolved Electoral College. This book helps readers to understand the distinction and how we got where we are today. Focusing on the controversial 2016 election, in which Trump received nearly three million fewer popular votes than Clinton, Representation and the Electoral College shows how the Electoral College acts on behalf of the American public and alters election outcomes. In exploring the origin, development, and practice of the Electoral College, this study also presents the most extensive analysis of presidential electors to date.

The Medium is the Massage is Marshall McLuhan’s most condensed, and perhaps most effective, presentation of his ideas. Using a layout style that was later copied by Wired, McLuhan and coauthor/designer Quentin Fiore combine word and image to illustrate and enact the ideas that were first put forward in the dense and poorly organized Understanding Media. McLuhan’s ideas about the nature of media, the increasing speed of communication, and the technological basis for our understanding of who we are come to life in this slender volume. Although originally printed in 1967, the art and style in The Medium is the Massage seem as fresh today as in the summer of love, and the ideas are even more resonant now that computer interfaces are becoming gateways to the global village.

Exa is a hellion, born with extraordinary powers, but forbidden to use them as a true lord of the dominion, cape and everything. These superheroes-for-hire have it made. Wealth, fame, and the training to back their reputations. But Exa has a plan to defy them all. She’s going to join the elite guard of the Gentina, who rules all of the dominion, even the lords. Or die trying.

A harrowing story of breakdowns, suicide attempts, drug therapy, and an eventual journey back to living, this poignant and often hilarious book gives voice to the high incidence of depression among America’s youth. A collective cry for help from a generation who have come of age entrenched in the culture of divorce, economic instability, and AIDS, here is the intensely personal story of a young girl full of promise, whose mood swings have risen and fallen like the lines of a sad ballad.

At least one-third of the people we know are introverts. They are the ones who prefer listening to speaking; who innovate and create but dislike self-promotion; who favor working on their own over working in teams. It is to introverts—Rosa Parks, Chopin, Dr. Seuss, Steve Wozniak—that we owe many of the great contributions to society. 

In Quiet, Susan Cain argues that we dramatically undervalue introverts and shows how much we lose in doing so. She charts the rise of the Extrovert Ideal throughout the twentieth century and explores how deeply it has come to permeate our culture. She also introduces us to successful introverts—from a witty, high-octane public speaker who recharges in solitude after his talks, to a record-breaking salesman who quietly taps into the power of questions. Passionately argued, superbly researched, and filled with indelible stories of real people, Quiet has the power to permanently change how we see introverts and, equally important, how they see themselves.

What happens to democracy and free speech if people use the Internet to listen and speak only to the like-minded? What is the benefit of the Internet’s unlimited choices if citizens narrowly filter the information they receive? Cass Sunstein first asked these questions in 2001’s Republic.com. Now, in Republic.com 2.0, Sunstein thoroughly rethinks the critical relationship between democracy and the Internet in a world where partisan Weblogs have emerged as a significant political force.

Republic.com 2.0 highlights new research on how people are using the Internet, especially the blogosphere. Sunstein warns against “information cocoons” and “echo chambers,” wherein people avoid the news and opinions that they don’t want to hear. He also demonstrates the need to regulate the innumerable choices made possible by technology. His proposed remedies and reforms emphasize what consumers and producers can do to help avoid the perils, and realize the promise, of the Internet.

“Friend, asshole, angel, mutant,” singer-songwriter Vic Chesnutt “came along and made us gross and broken people seem . . . I dunno, cooler, I guess.” A quadriplegic who could play only simple chords on his guitar, Chesnutt recorded seventeen critically acclaimed albums before his death in 2009, including About to Choke, North Star Deserter, and At the Cut. In 2006, NPR placed him in the top five of the ten best living songwriters, along with Bob Dylan, Tom Waits, Paul McCartney, and Bruce Springsteen. Chesnutt’s songs have also been covered by many prominent artists, including Madonna, the Smashing Pumpkins, R.E.M., Sparklehorse, Fugazi, and Neutral Milk Hotel.

Kristin Hersh toured with Chesnutt for nearly a decade and they became close friends, bonding over a love of songwriting and mutual struggles with mental health. In Don’t Suck, Don’t Die, she describes many seemingly small moments they shared, their free-ranging conversations, and his tragic death. More memoir than biography, Hersh’s book plumbs the sources of Chesnutt’s pain and creativity more deeply than any conventional account of his life and recordings ever could. Chesnutt was difficult to understand and frequently difficult to be with, but, as Hersh reveals him, he was also wickedly funny and painfully perceptive. This intimate memoir is essential reading for anyone interested in the music or the artist.

Humbug, forsooth! In William Shakespeare’s Christmas Carol, you’ll experience Dickens’ classic tale with a new (Oliver) twist. Ebenezer Scrooge is a wealthy theater owner with a stingy heart, until he’s visited by his old partner Marlowe. The Ghosts of Christmas Past, Present and Future become Puck (A Midsummer Night’s Dream), Falstaff (the Henry V plays), and the Ghost of King Hamlet. Benedick and Beatrice Cratchit worry about their child Tiny Tim, and other familiar characters fill out the cast in this Shakespearean adaptation of your holiday favorite, all in iambic pentameter. Bard bless us, every one!

The First Time I Heard Cocteau Twins is Part II in an ongoing series where musicians and writers tell their stories of first hearing the music of an iconic artist or band. In this second volume (following the opening installment, which covered Joy Division / New Order), forty different musicians and writers remember their initial experiences hearing the seminal dreampop / post-punk band Cocteau Twins, a standout group from the legendary 4AD Records and favorite of radio personality John Peel. The Cocteau Twins hailed from Grangemouth, Scotland, and featured musicians Elizabeth Fraser, Robin Guthrie, and Simon Raymonde.

Contributors to the Cocteau Twins edition include musicians such as David Narcizo (Throwing Muses); Ian Masters (Pale Saints); pianist and Cocteau Twins collaborator Harold Budd; band collaborator and live guitarist Lincoln Fong; Pete Fijalkowski (Adorable); Anka Wolbert (Clan of Xymox); Sean “Grasshopper” Mackowiak (Mercury Rev); Meredith Meyer; Mark Van Hoen (Locust, Seefeel); Paul Anderson (Tram); Paul Elam (Fieldhead); Rebecca Coseboom (Halou, Stripmall Architecture); Michael Cottone (The Green Kingdom); Sarah Jaffe; Antony Ryan (Isan); Dean Garcia (Curve); Kurt Feldman (The Pains of Being Pure at Heart); Erik Blood; Annie Barker; John Loring (Fleeting Joys); Guy Fixsen (Laika and co-engineer for My Bloody Valentine); Emily Elhaj (Implodes); Carlo Van Putten (The Convent, White Rose Transmission); Eric Quach (thisquietarmy); Ryan Policky (A Shoreline Dream); Matthew Kelly (The Autumns); Steve Elkins (The Autumns); Ryan Lum (Lovespirals); Michael Savage (The Fauns); Amman Abbasi (The Abbasi Brothers); Eric Loveland Heath; Ben Mullins (Midwest Product); Keith Canisius; Michael McCabe and David Read (Coldharbourstores); and writers like Emily Franklin, Craig Laurance Gidney, Alistair McCartney; Tony Leuzzi; and Sommer Browning.

The “First Time I Heard” book series is edited by Scott Heim, a novelist (Mysterious Skin, We Disappear) who is also a longtime music fan. Other installments in the series (or those forthcoming soon) include books on Joy Division / New Order, David Bowie, The Smiths, Kate Bush, R.E.M., Kraftwerk, My Bloody Valentine, Abba, Roxy Music, The Pixies, and others.

Silver Shamrock. Thorn. White Horses. It’s all in here. Join authors Dustin McNeill and Travis Mullins for a deep dive into the evolution of Halloween’s vast mythology. Extensively researched, Taking Shape is the ultimate guide to the first forty years of Haddonfield history. Featuring exclusive interviews with filmmakers from every instalment, prepare to gain new insight into Halloween’s iconic boogeyman. Oh, you don’t believe in the boogeyman? You should.

Taking Shape includes:
– Comprehensive story analysis on the entire series!
– A rundown of all deleted and alternate scenes!
– A look at what scholars got right (and wrong) about H1!
– Exclusive details on Nigel Kneale’s original H3 script!
– Comparisons of early scripts to the final theatrical films!
– A rare interview with H5 screenwriter Michael Jacobs!
– An exhaustive account of H6’s troubled production!
– An examination of H20’s roots as a direct-to-video sequel!
– A revealing look behind the grunge of the Rob Zombie era!
– Insight into how test audiences and execs shaped the films!
– In-depth dissection of the official novelizations!

Most people don’t know what they’re doing. They imitate others, go with the flow, and follow paths without making their own.

Best known for creating CD Baby, the most popular music site for independent artists, founder Derek Sivers chronicles his “accidental” success and failures into this concise and inspiring book on how to create a multimillion-dollar company by following your passion.

Sivers details his journey and the lessons learned along the way of creating CD Baby and building a business close to his heart. In 1997 Sivers was a musician who taught himself to code a Buy Now button onto his band’s Web site. Shortly thereafter he began selling his friends’ CDs on his Web site. As CD Baby grew, Sivers faced numerous obstacles on his way to success. Within six years he had been publicly criticized by Steve Jobs and had to pay his father $3.3 million to buy back 90 percent of his company, but he had also built a company of more than 50 employees and had profited $10 million.

Anything You Want is must reading for every person who is an entrepreneur, wants to be one, wants to understand one, or cares even a little about what it means to be human.

Heart, determination, and triumph

Life Is Short & So Am I is the story of a boy who fell in love with wrestling before he was able to walk. Born with achondroplasia, a condition that causes disproportionate dwarfism, Dylan Postl had endured multiple surgeries by the age of 12. And yet, he held on to the dream that he would one day become a professional wrestler. Ignoring the naysayers and against doctors’ recommendations, Dylan began training in his teens, and he soon began appearing on local independent shows. Before he turned 20, he was signed by the world leader in sports-entertainment, WWE, to play the role of Irish grappler Finlay’s feisty sidekick, Hornswoggle, and remained a firm fixture in the company for a full decade.

While most of Dylan’s adult life has been spent in the wild world of the wrestling industry, Life Is Short is more than a story of a little person’s journey through a world of giants; it’s a memoir of elation and anguish, triumph and disappointment, and of how an endlessly positive outlook combined with the unwavering support of family and friends helped him become a success in his industry and a loving, responsible father. It’s a story about a man who still loves wrestling — but loves his family above all else.

He’s wrestled under many names but to the fans he is and will always be Stone Cold Steve Austin™. His quick wit and colorful use of language combined with his everyman character captured the hearts of fans worldwide and rewrote the dynamics of professional wrestling forever. Steve’s ability inside the ring and his quick-witted responses lead to his becoming one of the most popular WWE© Superstars of all times. With the creation of the Stone Cold™ character, Steve’s popularity expanded exponentially. It seemed nothing could stop the Texas Rattlesnake™, except himself. The Stone Cold Truth is an unvarnished take on his life, and you know it’s the truth ” ’cause Stone Cold says so!™”

The shimmering, cloud-covered planet of Venus conceals a wondrous secret: the strikingly beautiful yet deadly world of Amtor. In Amtor, cities of immortal beings flourish in giant trees reaching thousands of feet into the sky; ferocious beasts stalk the wilderness below; rare flashes of sunlight precipitate devastating storms; and the inhabitants believe their world is saucer-shaped with a fiery center and an icy rim. Stranded on Amtor after his spaceship crashes, astronaut Carson Napier is swept into a world where revolution is ripe, the love of a princess carries a dear price, and death can come as easily from the blade of a sword as from the ray of a futuristic gun.

The historians can’t seem to settle whether to call this one “The Third Space War” (or the fourth), or whether “The First Interstellar War” fits it better. We just call it “The Bug War.” Everything up to then and still later were “incidents,” “patrols,” or “police actions.” However, you are just as dead if you buy the farm in an “incident” as you are if you buy it in a declared war…

In one of Robert A. Heinlein’s most controversial bestsellers, a recruit of the future goes through the toughest boot camp in the Universe—and into battle with the Terran Mobile Infantry against mankind’s most alarming enemy.