Stephen King’s second novel,’Salem’s Lot, is the story of a mundane town under siege from the forces of darkness. Considered one of the most terrifying vampire novels ever written, it cunningly probes the shadows of the human heart — and the insular evils of small-town America.
A clever, thoughtful, and funny history that reveals how the Union of states was built on a much more personal union of people.
Have you ever used a dating app or website? Then you have more in common than you know with lonely homesteaders in 18th century New England. At once heartwarming and heartbreaking, Matrimony, Inc. reveals the unifying thread that weaves its way through not just marriage and relationships over the centuries, but American social history itself: advertising for love.
Amazingly, America’s first personal ad appeared in the Boston Evening Post as early as 1759. A “person who flatters himself that he shall not be thought disagreeable” was in search of a “young lady, between the age of eighteen and twenty-three, of a middling stature, brown hair, of good Morals…” As family-arranged marriages fell out of fashion, “Husband Wanted” or “Seeking Wife” ads were soon to be found in every state in the nation.
From the woman in a Wisconsin newspaper who wanted “no brainless dandy or foppish fool” to the man with a glass eye who placed an ad in the New York Times hoping to meet a woman with a glass eye, the many hundreds of personal ads that author Francesca Beauman has uncovered offer an extraordinary glimpse into the history of our hearts’ desires, as well as a unique insight into American life as the frontier was settled and the cities grew. Personal ads played a surprisingly vital role in the West: couple by couple, shy smile by shy smile, letter by letter from a dusty, exhausted miner in California to a bored, frustrated seamstress in Ohio. Get ready for a new perspective on the making of modern America, a hundred words of typesetter’s blurry black ink at a time.
“So anxious are our settlers for wives that they never ask a single lady her age. All they require is teeth,” declared the Dubuque Iowa News in 1838 in a state where men outnumbered women three to one. While the dating pools of 21st century New York, Chicago or San Francisco might not be quite so dentally-fixated, Matrimony Inc. will put idly swiping right on Tinder into fascinating and vividly fresh historical context. What do women look for in a man? What do men look for in a woman? And how has this changed over the past 250 years?
Is social media destroying democracy? Are Russian propaganda or “Fake news” entrepreneurs on Facebook undermining our sense of a shared reality? A conventional wisdom has emerged since the election of Donald Trump in 2016 that new technologies and their manipulation by foreign actors played a decisive role in his victory and are responsible for the sense of a “post-truth” moment in which disinformation and propaganda thrives.
Network Propaganda challenges that received wisdom through the most comprehensive study yet published on media coverage of American presidential politics from the start of the election cycle in April 2015 to the one year anniversary of the Trump presidency. Analysing millions of news stories together with Twitter and Facebook shares, broadcast television and YouTube, the book provides a comprehensive overview of the architecture of contemporary American political communications. Through data analysis and detailed qualitative case studies of coverage of immigration, Clinton scandals, and the Trump Russia investigation, the book finds that the right-wing media ecosystem operates fundamentally differently than the rest of the media environment.
The authors argue that longstanding institutional, political, and cultural patterns in American politics interacted with technological change since the 1970s to create a propaganda feedback loop in American conservative media. This dynamic has marginalized centre-right media and politicians, radicalized the right wing ecosystem, and rendered it susceptible to propaganda efforts, foreign and domestic. For readers outside the United States, the book offers a new perspective and methods for diagnosing the sources of, and potential solutions for, the perceived global crisis of democratic politics.
When Willard State Hospital closed its doors in 1995, after operating as one of New York State’s largest mental institutions for over 120 years, a forgotten attic filled with suitcases belonging to former patients was discovered. Using the possessions found in these suitcases along with institutional records and doctors’ notes from patient sessions, Darby Penney, a leading advocate of patients’ rights, and Peter Stastny, a psychiatrist and documentary filmmaker, were able to reconstruct the lives of ten patients who resided at Willard during the first half of the twentieth century.
The Lives They Left Behind tells their story. In addition to these human portraits, the book contains over 100 photographs as well as valuable historical background on how this state-funded institution operated. As it restores the humanity of the individuals it so poignantly evokes, The Lives They Left Behind reveals the vast historical inadequacies of a psychiatric system that has yet to heal itself.
The author has produced a brief yet impactful work about the internet and efforts to control such expressions as hate speech and advocacy of terrorism. Kaye analyzes several examples of how online content producers are targeted for varied reasons, how platforms such as YouTube and Facebook have attempted to police forms of content on their servers, and how the culture of responsibility for Internet governance has shifted in the past last years. Kaye also covers fake news and the increased efforts by platforms such as Twitter and Facebook to root out these posts via automation–specifically AI. At the same time, Kaye brilliantly layers analysis of the politicization of content on platforms and the growth of efforts, mostly in Europe, to regulate these private, mostly American companies. All the while, Kaye makes sure readers are aware of the complexities and how free speech may be embattled if some of these regulations are put into effect at scale.
From our bank accounts to supermarket checkouts to the movies we watch, strings of ones and zeroes suffuse our world. Digital technology has defined modern society in numerous ways, and the vibrant digital culture that has now resulted is the subject of Charlie Gere’s engaging volume.
In this revised and expanded second edition, taking account of new developments such as Facebook and the iPhone, Charlie Gere charts in detail the history of digital culture, as marked by responses to digital technology in art, music, design, film, literature and other areas. After tracing the historical development of digital culture, Gere argues that it is actually neither radically new nor technologically driven: digital culture has its roots in the eighteenth century and the digital mediascape we swim in today was originally inspired by informational needs arising from industrial capitalism, contemporary warfare and counter-cultural experimentation, among other social changes.
A timely and cutting-edge investigation of our contemporary social infrastructures, Digital Culture is essential reading for all those concerned about the ever-changing future of our Digital Age.
Janet Burroway’s bestselling Imaginative Writng: The Elements of Craft explores the craft of creative writing in four genres: Fiction, Poetry, Drama, and Creative Nonfiction. A trade author as well as a professor of creative writing, Burroway brings her years of teaching and writing to this book. “Try-This” exercises appear throughout each chapter. Provocative and fun, these exercises help writers develop the specific writing skills discussed within the text. “Working toward a draft” exercises encourage writers to develop their ideas into complete drafts. In response to reviewer requests, the preface “Invitation to the Writer” has been expanded into a full chapter. This new chapter introduces writers to important skills such as reading like a writer, journaling, and participating in the writer’s workshop. This book offers lots of ideas and encouragement at a great price!
Everybody knows the legend of Captain Kidd, America’s most ruthless buccanneer. Few people realize that the facts of his life make for a much better tale. Kidd was actually a tough New York sea captain hired to chase pirates, a married war hero whose secret mission took a spectacularly bad turn. This harrowing tale traces Kidd’s voyages in the 1690s from his home near Wall Street to Whitehall Palace in London, from the ports of the Caribbean to a secret pirate paradise off Madagascar. Author Richard Zacks, during his research, also unearthed the story of a long forgotten rogue named Robert Culliford, who dogged Kidd and led Kidd’s crew to mutiny not once but twice. The lives of Kidd and Culliford play out like an unscripted duel: one man would hang in the harbor, the other would walk away with the treasure. Filled with superb writing and impeccable research, The Pirate Hunter is both a masterpiece of historical detective work and a ripping good yarn, and it delivers something rare: an authentic pirate story for grown-ups.
The untold story of a heroic band of Caribbean pirates whose defiance of imperial rule inspired revolt in colonial outposts across the world. In the early eighteenth century, the Pirate Republic was home to some of the great pirate captains, including Blackbeard, “Black Sam” Bellamy, and Charles Vane. Along with their fellow pirates—former sailors, indentured servants, and runaway slaves—this “Flying Gang” established a crude but distinctive democracy in the Bahamas, carving out their own zone of freedom in which servants were free, blacks could be equal citizens, and leaders were chosen or deposed by a vote. They cut off trade routes, sacked slave ships, and severed Europe from its New World empires, and for a brief, glorious period the Republic was a success.
Set against the backdrop of the Age of Exploration, Black Flags, Blue Waters reveals the dramatic and surprising history of American piracy’s “Golden Age”―spanning the late 1600s through the early 1700s―when lawless pirates plied the coastal waters of North America and beyond. Best-selling author Eric Jay Dolin illustrates how American colonists at first supported these outrageous pirates in an early display of solidarity against the Crown, and then violently opposed them. Through engrossing episodes of roguish glamour and extreme brutality, Dolin depicts the star pirates of this period, among them towering Blackbeard, ill-fated Captain Kidd, and sadistic Edward Low, who delighted in torturing his prey. Also brilliantly detailed are the pirates’ manifold enemies, including colonial governor John Winthrop, evangelist Cotton Mather, and young Benjamin Franklin. Upending popular misconceptions and cartoonish stereotypes, Dolin provides this wholly original account of the seafaring outlaws whose raids reflect the precarious nature of American colonial life.
More than a decade after his death, alienated, awkward, heavily eye-lined Kurt Cobain continues to sit front and center in the arena of popular culture, as the subject of books, music, fashion, gossip, and inspiration for major motion pictures and documentaries. Together with flannelsporting, music-obsessed communities emerging (in the late 1980s and early 1990s) from the chilly Pacific Northwest, Nirvana, Sound Garden, and Pearl Jam changed the scene with wild aggressive sounds and truly alternative records.
Author Thurston Moore (of Sonic Youth)—who introduced Kurt Cobain t David Geffen (Geffen Records), a meeting that resulted in Nirvana’s first major debut, Nevermind, in September 1991, which by December was selling 400,000 copies a week—writes about the discovery of Seattle punk youth, the seminal bands that defined the movement, the exploitation of the subculture, and the backlash of grunge, as well as the death of his longtime collaborator and intimate Cobain.
At the age of twenty-six, Maarten Troost who had been pushing the snooze button on the alarm clock of life by racking up useless graduate degrees and muddling through a series of temp jobs decided to pack up his flip-flops and move to Tarawa, a remote South Pacific island in the Republic of Kiribati. He was restless and lacked direction, and the idea of dropping everything and moving to the ends of the Earth was irresistibly romantic. He should have known better. The Sex Lives of Cannibals tells the hilarious story of what happens when Troost discovers that Tarawa is not the island paradise he dreamed of. Falling into one amusing misadventure after another, Troost struggles through relentless, stifling heat, a variety of deadly bacteria, polluted seas, toxic fish, and worst of all, no television or coffee. And that’s just the first day. Sunburned, emaciated, and stinging with sea lice, Troost spends the next two years battling incompetent government officials, alarmingly large critters, erratic electricity, and a paucity of food options. He contends with a cast of bizarre local characters, including “Half-Dead Fred” and the self-proclaimed Poet Laureate of Tarawa (a British drunkard who’s never written a poem in his life), and eventually settles into the ebb and flow of island life, just before his return to the culture shock of civilization. With the rollicking wit of Bill Bryson, the brilliant travel exposition of Paul Theroux, and a hipster edge that is entirely Troost’s own, The Sex Lives of Cannibals is the ultimate vicarious adventure. Readers may never long to set foot on Tarawa, but they’ll want to travel with Troost time and time again.
Twenty years after the release of Nirvana’s landmark album Nevermind comes Everybody Loves Our Town: An Oral History of Grunge, the definitive word on the grunge era, straight from the mouths of those at the center of it all.
In 1986, fledgling Seattle label C/Z Records released Deep Six, a compilation featuring a half-dozen local bands: Soundgarden, Green River, Melvins, Malfunkshun, the U-Men and Skin Yard. Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion.
Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley.
Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more—and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.
In a series of conversational observations and meditations on the writing process, The Art of Slow Writing examines the benefits of writing slowly. DeSalvo advises her readers to explore their creative process on deeper levels by getting to know themselves and their stories more fully over a longer period of time. She writes in the same supportive manner that encourages her students, using the slow writing process to help them explore the complexities of craft. The Art of Slow Writing is the antidote to self-help books that preach the idea of fast-writing, finishing a novel a year, and quick revisions. DeSalvo makes a case that more mature writing often develops over a longer period of time and offers tips and techniques to train the creative process in this new experience.
DeSalvo describes the work habits of successful writers (among them, Nobel Prize laureates) so that readers can use the information provided to develop their identity as writers and transform their writing lives. It includes anecdotes from classic American and international writers such as John Steinbeck, Henry Miller, Virginia Woolf and D. H. Lawrence as well as contemporary authors such as Michael Chabon, Junot Diaz, Jeffrey Eugenides, Ian McEwan, and Salman Rushdie. DeSalvo skillfully and gently guides writers to not only start their work, but immerse themselves fully in the process and create texts they will treasure.
Between 1975 and 1988 New York City spawned an incredible and wild array of artistic communities that overlapped and interbred with scant heed for generic “purity” (let alone posterity): every musician, it seemed, was also an artist, every artist a filmmaker and every filmmaker was in a band. These heady years saw the births of Punk at CBGB and Max’s Kansas City, of Hip Hop in the Bronx, the emerging art music activities of Philip Glass and Laurie Anderson, Free Jazz and the No Wave art/rock scene around James Chance, Lydia Lunch and Mars. “New York Noise” is Paula Court’s photographic tour of these colliding worlds. From her arrival in New York City in 1978, Court diligently photographed the likes of Glenn Branca, Jean-Michel Basquiat, Keith Haring, David Byrne, Rhys Chatham, Lou Reed, James Chance, Patti Smith, Afrika Bambaata, John Cage, Robert Longo, Jim Jarmusch, Cindy Sherman and Richard Prince, as well as bands like DNA, Suicide, Bush Tetras, ESG and the Rock Steady Crew. Also captured in these pages are nascent musicians and actors such as Michael Stipe, Steve Buscemi, Willem Dafoe and Madonna, who came into artistic maturity amid these diverse scenes. With over 400 images, many of them previously unpublished, “New York Noise” follows Soul Jazz Records’ critically acclaimed CD series, providing an unprecedented visual record of one of New York’s liveliest cultural eras.
Supersonic presents over 300 striking pages of today’s best-designed music products with a focus on Independent and Alternative Rock as well as Electronica. In addition to abundant visuals, the book features portraits of selected designers and companies, who are creating outstanding work in these musical fields. With its stunning images from today’s most exciting music, Supersonic is a source of inspiration for all music insiders, graphic artists creating music packaging and anyone interested in cutting-edge visuals.
In April 1999, Entertainment Weekly asked its readers what many Americans were surely wondering to themselves: how did wrestling get so big?
As a consequence of the heated ratings competition between World Championship Wrestling (WCW) and the World Wrestling Federation (WWF), the spectacle had taken over Monday nights on prime-time cable television. But in a departure from the family-friendly programming produced by the last industry boom – the 1980s wave, which made household names of Hulk Hogan, ‘Rowdy’ Roddy Piper and Andre the Giant – the new era of wrestling combined stunning athleticism with a raunchy sex appeal, engrossing story lines and novel production techniques that reflected a changing society and its shifting values.
Once again, wrestling was a ubiquitous phenomenon – only this time, it seemed as though the fad would never end. With both WCW and WWF expanding into other forms of entertainment – movies, video games, music and the like – the potential for growth appeared to be limitless.
But with uncertainty surrounding its corporate future, and increasingly uninspired programming eroding its audience, WCW stood on the verge of collapse. Three years into a five-year plan devised by its charismatic leader – a former Blue Ribbon Foods salesman named Eric Bischoff – the company whose unexpected ascension initiated the entire boom was operating on borrowed time.
For by the end of the five-year plan, WCW ceased to exist.
But NITRO is a story about much more than WCW and the Monday Night Wars. It is a story of an era, a time in which the media and cultural landscape precipitated – and later supported – pro wrestling’s mainstream popularity. It is a story of how a company made in the image of an intuitively brilliant risk-taker betrayed its original promise. It is a story of how a handful of men, each struggling with their own limitations, facilitated a public obsession that changed television forever.
And so, with the inside knowledge of a journalist, the perspective of a historian, and the passion of a fan, author Guy Evans provides a fresh look at an unfortunate inevitability – the downfall of World Championship Wrestling. Bolstered by exclusive interviews with over 120 former TBS and WCW employees, NITRO is the definitive picture of the last wrestling boom.
Featuring exclusive interviews and comments from:
Eric Bischoff, fmr. President of World Championship Wrestling;
Harvey Schiller, fmr. President of Turner Sports;
Jamie Kellner, fmr. CEO of Turner Broadcasting System;
Bill Burke, fmr. President of TBS network;
Joe Uva, fmr. President of Turner Entertainment Sales and Marketing;
Scot Safon, fmr. SVP of Marketing for TNT network;
Kevin Nash, WWE Hall of Famer and 5-time WCW world champion;
Diamond Dallas Page, WWE Hall of Famer and 3-time WCW world champion;
Vince Russo, fmr. WCW writer;
Marcus ‘Buff’ Bagwell, fmr. WCW superstar and 5-time world tag team champion;
Kevin Sullivan, fmr. WCW superstar and head booker;
Hugh Morrus, fmr. WCW superstar;
Neal Pruitt, fmr. WCW Feature Producer and voice of the nWo;
David Crockett, fmr. WCW Vice President of Production;
Dick Cheatham, fmr. Group Controller for TBS;
Alan Sharp, fmr. WCW Director of Public Relations;
Mike Weber, fmr. WCW Director of Marketing;
Rob Garner, fmr. WCW Vice President of TV Programming and Sales
Jerry Jarrett, legendary wrestling promoter and booker…
And many, many, many more!
Finally a go-to guide to creating and publishing the kind of content that will make your business thrive.
Everybody Writes is a go-to guide to attracting and retaining customers through stellar online communication, because in our content-driven world, every one of us is, in fact, a writer.
If you have a web site, you are a publisher. If you are on social media, you are in marketing. And that means that we are all relying on our words to carry our marketing messages. We are all writers.
Yeah, but who cares about writing anymore? In a time-challenged world dominated by short and snappy, by click-bait headlines and Twitter streams and Instagram feeds and gifs and video and Snapchat and YOLO and LOL and #tbt. . . does the idea of focusing on writing seem pedantic and ordinary?
Actually, writing matters more now, not less. Our online words are our currency; they tell our customers who we are.
Our writing can make us look smart or it can make us look stupid. It can make us seem fun, or warm, or competent, or trustworthy. But it can also make us seem humdrum or discombobulated or flat-out boring.
That means you’ve got to choose words well, and write with economy and the style and honest empathy for your customers. And it means you put a new value on an often-overlooked skill in content marketing: How to write, and how to tell a true story really, really well. That’s true whether you’re writing a listicle or the words on a Slideshare deck or the words you’re reading right here, right now…
And so being able to communicate well in writing isn’t just nice; it’s necessity. And it’s also the oft-overlooked cornerstone of nearly all our content marketing.
In Everybody Writes, top marketing veteran Ann Handley gives expert guidance and insight into the process and strategy of content creation, production and publishing, with actionable how-to advice designed to get results.
These lessons and rules apply across all of your online assets — like web pages, home page, landing pages, blogs, email, marketing offers, and on Facebook, Twitter, LinkedIn, and other social media. Ann deconstructs the strategy and delivers a practical approach to create ridiculously compelling and competent content. It’s designed to be the go-to guide for anyone creating or publishing any kind of online content — whether you’re a big brand or you’re small and solo.
Sections include: How to write better. (Or, for “adult-onset writers”: How to hate writing less.) Easy grammar and usage rules tailored for business in a fun, memorable way. (Enough to keep you looking sharp, but not too much to overwhelm you.) Giving your audience the gift of your true story, told well. Empathy and humanity and inspiration are key here, so the book covers that, too. Best practices for creating credible, trustworthy content steeped in some time-honored rules of solid journalism. Because publishing content and talking directly to your customers is, at its heart, a privilege. “Things Marketers Write”: The fundamentals of 17 specific kinds of content that marketers are often tasked with crafting. Content Tools: The sharpest tools you need to get the job done.
Traditional marketing techniques are no longer enough. Everybody Writes is a field guide for the smartest businesses who know that great content is the key to thriving in this digital world.
Sonic Youth spent most of the 80s sleeping on floors, driving used vans, touring across a neurotic America and the globe beyond. Before they became part of the national bloodstream, they created an underground swell, encouraging adventurous listeners to jack into their matrix of pantonality, feedback, and chiming scree. All the while, Lee Ranaldo was drinking in the landscape, the clubs, the people; recording a journal of this wild ride.
A harrowing story of breakdowns, suicide attempts, drug therapy, and an eventual journey back to living, this poignant and often hilarious book gives voice to the high incidence of depression among America’s youth. A collective cry for help from a generation who have come of age entrenched in the culture of divorce, economic instability, and AIDS, here is the intensely personal story of a young girl full of promise, whose mood swings have risen and fallen like the lines of a sad ballad.
At least one-third of the people we know are introverts. They are the ones who prefer listening to speaking; who innovate and create but dislike self-promotion; who favor working on their own over working in teams. It is to introverts—Rosa Parks, Chopin, Dr. Seuss, Steve Wozniak—that we owe many of the great contributions to society.
In Quiet, Susan Cain argues that we dramatically undervalue introverts and shows how much we lose in doing so. She charts the rise of the Extrovert Ideal throughout the twentieth century and explores how deeply it has come to permeate our culture. She also introduces us to successful introverts—from a witty, high-octane public speaker who recharges in solitude after his talks, to a record-breaking salesman who quietly taps into the power of questions. Passionately argued, superbly researched, and filled with indelible stories of real people, Quiet has the power to permanently change how we see introverts and, equally important, how they see themselves.
A trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap, and Ridgemont High; of MTV, VHS, and “Axel F”; of outsiders, lost boys, and dead poets; of Bill and Ted, Brooke Shields, and the Brat Pack; of three Porky’s flicks, two Coreys, and one summer when “Baby” refused to be put in a corner.
The Ultimate History of the ’80s Teen Movie goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers, and where future superstars Sean, Demi, and Tom all got their big break. Music, comedy, and politics all play a part in the surprisingly complex history of the ’80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain relevant to all ages.
From a late ’70s Hollywood influx to an early ’90s indie scene that gave youth cinema a timely reboot, film expert James King highlights the personal struggles, the social changes, and the boardroom shake-ups that produced an iconic time in movie history.
Bringing Chicago circa 1893 to vivid life, Erik Larson’s spell-binding bestseller intertwines the true tale of two men–the brilliant architect behind the legendary 1893 World’s Fair, striving to secure America’s place in the world; and the cunning serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling. Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.
Most people don’t know what they’re doing. They imitate others, go with the flow, and follow paths without making their own.
Best known for creating CD Baby, the most popular music site for independent artists, founder Derek Sivers chronicles his “accidental” success and failures into this concise and inspiring book on how to create a multimillion-dollar company by following your passion.
Sivers details his journey and the lessons learned along the way of creating CD Baby and building a business close to his heart. In 1997 Sivers was a musician who taught himself to code a Buy Now button onto his band’s Web site. Shortly thereafter he began selling his friends’ CDs on his Web site. As CD Baby grew, Sivers faced numerous obstacles on his way to success. Within six years he had been publicly criticized by Steve Jobs and had to pay his father $3.3 million to buy back 90 percent of his company, but he had also built a company of more than 50 employees and had profited $10 million.
Anything You Want is must reading for every person who is an entrepreneur, wants to be one, wants to understand one, or cares even a little about what it means to be human.
What makes a page-turner? What mysterious literary essence holds a reader so hard they feel they must keep reading? And then tell friends, “I couldn’t put it down!”
And what do literary agents and publishers really look for in a manuscript?
Internationally-acclaimed author and story coach Barbara Kyle reveals the answers in Page-Turner with insights into:
– the essentials of story structure
– how to create a “storyline”
– the power of “deep character”
– the art of crafting dialogue
– mastering point of view
– maximizing settings
– plus practical advice on how to query agents and get published
… and more
Page-Turner shows how to create the kind of novel that brings offers from publishers and praise from readers.
For emerging writers who want to break in, and published authors who want to produce a breakout book, Page-Turner is an indispensable guide.
The official, definitive oral history of the blockbuster show from Entertainment Weekly‘s James Hibberd, published with HBO’s official support.
It was supposed to be impossible. George R.R. Martin was a frustrated television writer who created his bestselling A Song of Ice and Fire fantasy novels to be an unfilmable saga bound only by the limits of his vast imagination. Then a pair of first-time TV writers teamed with HBO to try and adapt Martin’s epic. We’ve all seen the eight seasons of the Emmy-winning fantasy series that came next. But there is one Game of Thrones tale that has yet to be told: the 13-year behind-the-scenes struggle to pull off this extraordinary phenomenon.
In All Men Must Die, award-winning Entertainment Weekly writer James Hibberd chronicles the untold story of Game of Thrones, from the creative team’s first meetings to staging the series finale and all the on-camera battles and off-camera struggles in between. The book draws from more than 50 revealing new interviews, rare and stunning photos, and unprecedented access to the producers, cast, and crew who took an impossible idea and made it into the biggest show in the world.
Who wore the first pants? Who painted the first masterpiece? Who first rode the horse? This madcap adventure across ancient history uses everything from modern genetics to archaeology to uncover the geniuses behind these and other world-changing innovations.
Who invented the wheel? Who told the first joke? Who drank the first beer? Who was the murderer in the first murder mystery, who was the first surgeon, who sparked the first fire–and most critically, who was the first to brave the slimy, pale oyster?
In this book, writer Cody Cassidy digs deep into the latest research to uncover the untold stories of some of these incredible innovators (or participants in lucky accidents). With a sharp sense of humor and boundless enthusiasm for the wonders of our ancient ancestors, Who Ate the First Oyster? profiles the perpetrators of the greatest firsts and catastrophes of prehistory, using the lives of individuals to provide a glimpse into ancient cultures, show how and why these critical developments occurred, and educate us on a period of time that until recently we’ve known almost nothing about.
Trying to crawl inside the television set to get her parents’ attention, she got blocked by all the tubes and wires. So, she had to go the long way around to get herself onscreen.
In a series of essays and stories, Chartoff explores her ambition, artistry, and love blunders in her hilarious, heartbreaking, and hopeful new memoir Odd Woman Out.
From her 1950s childhood in a suburb she describes as an “abusement park” to performing Molière on Broadway, to voicing characters on the popular Rugrats cartoon series, Melanie Chartoff was anxious and “out of character”, preferring any imaginary world to her real one.
Obsessed with exploring her talent and mastering the craft, fame came as a destabilizing byproduct. Suppressing a spiritual breakdown while co-starring on a late-night comedy show, Chartoff grew more estranged from whoever she was meant to be. But given a private audience with a guru, she finally heard her inner voice, played by ’70s soul singer Barry White, crooning, “Get out, baby!” All the while, she’s courted by men with homing pigeons and Priuses, idealized by guys who want the girl du jour from TV to be their baby rearer or kidney donor.
Go backstage on Broadway, behind the scenes on network television, and inside the complicated psyche of a talented performer struggling to play the role of a complete human. Odd Woman Out intimately exposes the nature of identity in the life of a performing artist, snapshotting the hopeful search for a self Chartoff could love and someone else’s self to love, too
The printing press, the pencil, the flush toilet, the battery–these are all great ideas. But where do they come from? What kind of environment breeds them? What sparks the flash of brilliance? How do we generate the breakthrough technologies that push forward our lives, our society, our culture? Steven Johnson’s answers are revelatory as he identifies the seven key patterns behind genuine innovation, and traces them across time and disciplines. From Darwin and Freud to the halls of Google and Apple, Johnson investigates the innovation hubs throughout modern time and pulls out the approaches and commonalities that seem to appear at moments of originality.
A stolen child.
An ancient evil.
A father’s descent.
And the literary masterpiece that holds the key to his daughter’s salvation.
Professor David Ullman is among the world’s leading authorities on demonic literature, with special expertise in Milton’s Paradise Lost. Not that David is a believer—he sees what he teaches as a branch of the imagination and nothing more. So when the mysterious Thin Woman arrives at his office and invites him to travel to Venice and witness a “phenomenon,” he turns her down. She leaves plane tickets and an address on his desk, advising David that her employer is not often disappointed.
That evening, David’s wife announces she is leaving him. With his life suddenly in shambles, he impulsively whisks his beloved twelve-year-old daughter, Tess, off to Venice after all. The girl has recently been stricken by the same melancholy moods David knows so well, and he hopes to cheer her up and distract them both from the troubles at home.
But what happens in Venice will change everything.
First, in a tiny attic room at the address provided by the Thin Woman, David sees a man restrained in a chair, muttering, clearly insane . . . but could he truly be possessed? Then the man speaks clearly, in the voice of David’s dead father, repeating the last words he ever spoke to his son. Words that have left scars—and a mystery—behind.
When David rushes back to the hotel, he discovers Tess perched on the roof’s edge, high above the waters of the Grand Canal. Before she falls, she manages to utter a final plea: Find me.
What follows is an unimaginable journey for David Ullman from skeptic to true believer. In a terrifying quest guided by symbols and riddles from the pages of Paradise Lost, David must track the demon that has captured his daughter and discover its name. If he fails, he will lose Tess forever.